 
Suggested Reading: 
Photography
- Barry, Ann Marie Seward (1997) 
Visual Intelligence: Perception, 
Image and Manipulation in Visual Communication. New York: State University of New York Press (not explicitly semiotic but useful)
- Barthes, Roland (1977) 
Image-Music-Text. London: Fontana 
('The Photographic Image' and 'Rhetoric of the Image')
 
- Barthes, Roland (1982) 
Camera Lucida: Reflections on Photography. London: Cape
 
- Becker, H S (Ed.) (1981) 
Exploring Society Photographically. 
Chicago: Chicago University Press (not explicitly semiotic but useful)
- Benjamin, Walter (1970 [1935]): 
'The Work of Art in the Age of Mechanical 
Reproduction'. In 
Illuminations (Ed. Hannah Arendt; trans. 
Harry Zohn). London: Cape (not explicitly semiotic but useful)
- Berger, John (1972) 
Ways of Seeing. London: BBC/Penguin (not explicitly semiotic but very useful)
- Berger, John (1980) 
About Looking. London: Writers & Readers (not explicitly semiotic but useful)
- Berger, John (1982) 'Appearances'. In John Berger & Jean Mohr 
Another Way of Telling. Cambridge: Granta/Harmondsworth: Penguin, pp. 81-129 (not explicitly semiotic but useful)
- Berger, John (2013) 
Understanding a Photograph. London: Penguin 
- Bolton, Richard (Ed.) (1989) 
The Contest of Meaning: Critical Histories of Photography. Cambridge, MA: MIT Press (not explicitly semiotic but useful)
- Burgin, Victor (Ed.) (1982) 
Thinking Photography. London: Macmillan  (not explicitly semiotic but useful)
- Chalfen, Richard (1987) 
Snapshot Versions of Life. Bowling Green, OH: 
Bowling Green State University Popular Press 
- Chandler, Daniel (1997) 'Visual Perception: Individual Differences, 
Purposes and Needs'. [WWW document] URL 
http://users.aber.ac.uk/dgc/media/Modules/MC10220/visper04.html
- Chandler, Daniel (1998) 'Notes on "the Gaze"'. [WWW document] URL  
http://users.aber.ac.uk/dgc/media/Documents/short/gaze.html
 
- Chandler, Daniel (2007) 
Semiotics: The Basics (2nd Edn.). London: Routledge
- Chandler, Daniel and Rod Munday (2011) 
Dictionary of Media and Communication. Oxford: Oxford University Press
- Clarke, Graham (1997) 
The Photograph. Oxford: Oxford University Press; 
brief extract 'How Do We Read a Photograph?' [WWW document] URL 
http://users.aber.ac.uk/dgc/media/Modules/MC10220/reading_photos.html (not explicitly semiotic but useful)
- Evans, Harold (1978) 
Pictures on a Page: Photo-journalism, 
Graphics and Picture-Editing. London: Heinemann (not explicitly semiotic but useful)
- Feininger, Andreas (1974) 
Photographic Seeing. London: Thames & Hudson (not explicitly semiotic but useful)
- Goffman, Erving (1979) 
Gender Advertisements. New York: Harper & 
Row/London: Macmillan  (not explicitly semiotic but useful)
- Goldberg, Vicki (1991) 
The Power of Photography: How Photographs 
Changed Our Lives. New York: Abbeville Press (not explicitly semiotic but useful)
- Gombrich, Ernst H (1977) 
Art and Illusion: A Study in the Psychology of 
Pictorial Representation. London: Phaidon  (not explicitly semiotic but useful)
- Hall, Stuart (1981): 'The Determinations of News Photographs'. In 
Stanley Cohen & Jock Young (Eds.) 
The Manufacture of News: Social Problems, 
Deviance and the Mass Media. London: Constable, pp. 236-243  (not explicitly semiotic but useful)
- Hirsch, Julia (1981) 
Family Photographs: Content, Meaning and Effect. 
New York: Oxford University Press (not explicitly semiotic but useful)
- King, Graham (1984) 
"Say Cheese!" Looking at Snapshots in a New Way. 
New York: Dodd, Mead (not explicitly semiotic but useful)
- Kress, Gunther & Theo Van Leeuwen (2006) 
Reading Images: The Grammar of Visual Design. London: Routledge
- Lutz, Catherine & Jane Collins (1994) 'The Photograph as an Intersection of Gazes: 
The Example of National Geographic'. In Taylor (Ed.), op. cit., 363-84 (not explicitly semiotic but useful)
- Messaris, Paul (1997) 
Visual Persuasion: The Role of Images in 
Advertising. Thousand Oaks, CA: Sage (not explicitly semiotic but useful)
- Mitchell, W J T (1994) 
Picture Theory: Essays on Verbal and Visual Representation. 
Chicago: University of Chicago Press (Chapter 9: 'The Photographic Essay: Four Case Studies', pp. 281-322) (not explicitly semiotic but useful)
- Newton, Julianne H (2001) 
The Burden of Visual Truth: The Role of 
Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum (not explicitly semiotic but useful)
- Nichols, Bill (1981) 
Ideology and the Image. Bloomington, IN: 
Indiana University Press (Chapters 1 & 2)
 
- Rudisill, Richard (1982): 'On Reading Photographs', 
Journal of American Culture 5(3): 1-14
- Sanders, Noel (1988): 'Angles on the Image'. In Gunther Kress (Ed.) 
Communication and Culture. Kensington, NSW: New South Wales 
University Press, pp. 131-56
- Sobieszek, Robert A	(1988) 
The Art of Persuasion: A History of Advertising Photography. 
New York: Harry N Abrams (not explicitly semiotic but useful)
- Sonesson, Göran (1989a) 
Pictorial Concepts: Inquiries into the Semiotic Heritage and Its Relevance for the Analysis of 
the Visual World. Lund: Lund University Press
- Sonesson, Göran (1989b) 
Semiotics of Photography: On Tracing the Index. Lund: Institute of Art History
- Sontag, Susan (1979) 
On Photography. Harmondsworth: Penguin (not explicitly semiotic but useful)
- Spence, Jo (1986) 
Putting Myself in the Picture. London: 
Camden Press (not explicitly semiotic but useful)
- Spence, Jo & Patricia Holland (Eds)	(1991) 
Family Snaps: The Meanings of Domestic 
Photography. London: Virago (not explicitly semiotic but useful)	
- Tagg, John (1988) 
The Burden of Representation: Essays on 
Photographies and Histories. Basingstoke: Macmillan
- Taylor, Lucien (Ed.) (1994) 
Visualizing Theory. New York: Routledge (not explicitly semiotic but useful)
- Wagner, Jon (Ed.) (1979) 
Images of Information: Still Photography in the 
Social Sciences. Beverly Hills, CA: Sage (not explicitly semiotic but useful)
- Wells, Liz (Ed.) (1997) 
Photography: A Critical Introduction. 
London: Routledge (not explicitly semiotic but useful)
- Ziller, Robert (1990) 
Photographing the Self. Newbury Park, CA: Sage (not explicitly semiotic but useful)
Note: Treat with extreme caution sources labelled with this symbol! 
