Assignment Seven

Can ads be art?

Guidance

For general guidance see the guidelines for writing essays and reports.

What Key Features Do I Look For?

  • Familiarity with relevant texts
  • Evidence - the stronger the better
  • Argument - coherent and balanced
  • Theoretical discussion - relation to relevant theories
  • Understanding of relevant concepts
  • Reflexivity - reflections on methodology
  • Examples - insightfully analysed
  • Style - readability and effective presentation

Please remember to avoid footnotes and to include an alphabetical list of 'References' which have been cited in the text (not a Bibliography of anything you have read for the essay). This list should include author's names, date, book titles (in italics), place of publication and publisher. Within the text always cite author's surname, date and page number. Double-space your text and number your pages. For more detailed notes on writing essays in this department, click here. For examples of essays by UWA students click here.

Advice for this particular assignment: Discuss some examples of ads which some people have treated as if they were art, and outline the arguments of some of those who have taken this stance. Don't spend too much time defining 'what is art?' because there are dozens of entire books on this! This assignment raises a host of interesting questions, not all of which can be tackled within the time and space available. The following are the questions that initially occurred to me. Why are some ads regarded by some commentators as art while others are not? What criteria for art do they seem to be employing? Outline and assess the main objections to the idea that advertising can be art - in particular, the argument that it is a commercial practice and can only be a craft. How does this issue relate to the tensions between creativity and effectiveness in the discourse and practices of advertising agencies? Does it simply equate to the 'creatives' versus the 'suits'? What relevant career pressures affect the attitudes of practitioners to this issue? Are some ad directors just frustrated film-makers? Are their ads a way of selling their talents as an escape from advertising into film? Do the film-makers who continue to produce ads do so primarily to fund their films? Why are some advertising practitioners openly hostile to ads as art? Do people outside the ad industry ever treat ads as art? What attitudes do the agencies' clients - the advertisers - have to ads as art? Does it depend partly on the product sector and/or brand image? Are some brands more associated with ads as art than others? Why? Include and discuss some ads which directly incorporate existing works of art. Which works of art are most often used in this way and what does their use tend to signify? Consider some examples which simply seem to seek to associate the product with the values evoked by the artwork itself? Does this strategy work? Does art sometimes function as a signifier of upmarket products? Are some artistic allusions a form of narrowcasting which flatters the intelligence of the better educated consumer (and thus a form of targeting)? If so, examine some examples. Is the incorporation of artworks ever used ironically and if so, how and why? Do some kinds of advertising awards encourage the treatment of ads as art? If so, which and how? What criteria are applied in the most famous ad awards (e.g. 'the fake Cannes', the Clios and the D&AD awards)? Is there a fundamental opposition between creativity and effectiveness? Are there any examples of ads which have been regarded both as highly creative and as commercially effective? Are there any (positive or negative) consequences for advertising in treating ads as art? Has advertising influenced art and film? Have art and film influenced advertising? Simply answering such questions will not produce a good essay: develop a coherent, well-supported argument (it takes time and effort to impose this kind of order on your material but remember that your essay is an advert for you - make it a good one). It would be wise to include examples from different media (e.g. magazine ads, hoardings and television or cinema commercials). Do not focus on your personal opinions on the topic, but try to 'map out' and weigh up the various arguments offered by all sorts of people in the field and use some examples chosen by you in order to discuss the issues in more detail and demonstrate your understanding of the arguments. Note: the inclusion of reproductions of relevant ads and/or disk copies of commercials is essential for this assignment. For guidance on capturing stills, click here.

Some suggested reading

Note: Treat with extreme caution sources labelled with this symbol!

Key Module Links

Assignment Deadlines Archive of Student Essays for This Module MCS Archive of Student Essays
Semiotics for Beginners Assignment Feedback Form General Criteria for Assignments General Guidelines for Writing Essays


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