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        Daniel Chandler

        Αναφορές

        • Allen, Robert C. (Ed.) (1992): Channels of Discourse, Reassembled. London: Routledge
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        • Ang, Ien (1985): Watching 'Dallas': Soap Opera and the Melodramatic Imagination. London: Methuen
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        • Andersson, Lars-Gunnar & Peter Trudgill (1992): Bad Language. Harmondsworth: Penguin
        • Baggaley, Jon & Steve Duck (1976): Dynamics of Television. Farnborough: Saxon House
        • Barry, Ann Marie Seward (1997): Visual Intelligence: Perception, Image and Manipulation in Visual Communication. New York: State University of New York Press
        • Barthes, Roland ([1957] 1987): Mythologies. New York: Hill & Wang
        • Barthes, Roland (1967). Elements of Semiology (trans. Annette Lavers & Colin Smith). London: Jonathan Cape
        • Barthes, Roland (1974): S/Z. London: Cape
        • Barthes, Roland (1977): Image-Music-Text. London: Fontana
        • Barthes, Roland (1985): The Fashion System (trans. Matthew Ward & Richard Howard). London: Jonathan Cape
        • Baudrillard, Jean (1984): 'The Precession of Simulacra'. In Brian Wallis (Ed.): Art After Modernism: Rethinking Representations, Vol. 1. New York: Museum of Contemporary Art (reprinted from Art and Text 11 (September 1983): 3-47
        • Baudrillard, Jean (1988): Selected Writings (Ed. Mark Poster). Cambridge: Polity Press
        • Belsey, Catherine (1980): Critical Practice. London: Methuen
        • Berger, Arthur Asa (1982): Media Analysis Techniques. Newbury Park, CA: Sage (Chapter 1, 'Semiological Analysis'; also available in Oliver Boyd-Barrett & Peter Braham (Eds.) (1987): Media, Knowledge and Power. London: Croom Helm)
        • Bignell, Jonathan (1997): Media Semiotics: An Introduction. Manchester: Manchester University Press
        • Blonsky, Marshall (Ed.) (1985): On Signs: A Semiotics Reader. Oxford: Blackwell
        • Bolter, Jay David (1991): Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum
        • Boorstin, Daniel J (1961): The Image, or What Happened to the American Dream. London: Weidenfeld and Nicolson
        • Borgatti, Stephen P (1998): 'Markedness' [WWW document] URL http://www.analytictech.com/mb119/markedne.htm [Visited 12/5/99]
        • Burgelin, Olivier (1968): 'Structural Analysis and Mass Communication'. In Denis McQuail (Ed.) (1972): Sociology of Mass Communications. Harmondsworth: Penguin
        • Burgin, Victor (Ed.) (1982): Thinking Photography. London: Macmillan
        • Burgin, Victor (1982a): 'Photographic Practice and Art Theory'. In Burgin (Ed.), op. cit., pp. 39-83
        • Burgin, Victor (1982b): 'Looking at Photographs'. In Burgin (Ed.), op. cit., pp. 142-153
        • Buxton, David (1990): From 'The Avengers' to 'Miami Vice': Form and Ideology in Television Series. Manchester: Manchester University Press
        • Cameron, Deborah (1992): Feminism and Linguistic Theory (2nd edn.). London: Macmillan
        • Carey, John (1974): 'Temporal and Spatial Transitions in American Fiction Films', Studies in the Anthropology of Visual Communication 1: 45-50
        • Carey, John (1982): 'Conventions and Meaning in Film'. In Sari Thomas (Ed.): Film/Culture: Explorations of Cinema in its Social Context. Metuchen, NJ: Scarecrow Press
        • Chandler, Daniel (1995): The Act of Writing: A Media Theory Approach. Aberystwyth: University of Wales, Aberystwyth
        • Chase, Stuart (1938): The Tyranny of Words. New York: Harcourt, Brace & World
        • Clark, Herbert H & Eve V Clark (1977): Psychology and Language: An Introduction to Psycholinguistics. New York: Harcourt Brace Jovanovich
        • Cobley, Paul & Litza Jansz (1997): Semiotics for Beginners (retitled Introducing Semiotics, 1999). Cambridge: Icon
        • Cook, Guy (1992): The Discourse of Advertising. London: Routledge
        • Corner, John (1980): 'Codes and Cultural Analysis', Media, Culture and Society 2: 73-86
        • Corner, John (1983): 'Textuality, Communication and Power'. In Davis & Walton (Eds.), op. cit., pp. 266-81
        • Corner, John & J Hawthorne (Eds.) (1980): Communication Studies: An Introductory Reader (1st Edn.). London: Edward Arnold
        • Coward, Rosalind & John Ellis (1977): Language and Materialism: Developments in Semiology and the Theory of the Subject. London: Routledge & Kegan Paul
        • Culler, Jonathan (1975): Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. London: Routledge & Kegan Paul
        • Danesi, Marcel (1994a): Messages and Meanings: An Introduction to Semiotics. Toronto: Canadian Scholars' Press
        • Danesi, Marcel (1994b): Cool: The Signs and Meanings of Adolescence. Toronto: University of Toronto Press
        • Davis, Howard & Paul Walton (Eds.) (1983a): Language, Image, Media. Oxford: Basil Blackwell
        • Davis, Howard & Paul Walton (1983b): 'Death of a Premier: Consensus and Closure in International News'. In Davis & Walton (Eds.), op. cit, pp. 8-49
        • de Lauretis, Teresa (1984): Alice Doesn't: Feminism, Semiotics, Cinema. London: Macmillan
        • Deacon, David, Michael Pickering, Peter Golding & Graham Murdock (1999): Researching Communications: A Practical Guide to Methods in Media and Cultural Analysis. London: Arnold
        • Deregowski, Jan B (1980): Illusions, Patterns and Pictures: A Cross-Cultural Perspective. New York: Academic Press
        • Derrida, Jacques (1978): Writing and Difference (trans. Alan Bass). London: Routledge & Kegan Paul
        • Douglas, Mary (1982): 'The Future of Semiotics', Semiotica 38(3/4): 197-203
        • Dyer, Gillian (1982): Advertising as Communication. London: Routledge
        • Eaton, Mick (Ed.) (1981): Cinema and Semiotics (Screen Reader 2). London: Society for Education in Film and Television
        • Eco, Umberto (1965): 'Towards a Semiotic Enquiry into the Television Message', In Corner & Hawthorn (Eds.) (1980), pp. 131-50
        • Eco, Umberto (1976): A Theory of Semiotics. Bloomington: Indiana University Press/London: Macmillan
        • Eco, Umberto (1981): The Role of the Reader. London: Hutchinson
        • Eco, Umberto (1982): 'Critique of the Image'. In Burgin (Ed.), op. cit.
        • Eco, Umberto (1984): Semiotics and the Philosophy of Language. Bloomington: Indiana University Press
        • Eco, Umberto (1985): 'How Culture Conditions the Colours We See'. In Blonsky (Ed.), op. cit., pp. 158-75
        • Eco, Umberto (1994): Apocalypse Postponed (Ed. Robert Lumley). London: BFI/Bloomington: Indiana University Press
        • Feuer, Jane (1992): 'Genre study and television'. In Allen (Ed.), op. cit.
        • Fish, Stanley (1980): Is There A Text In This Class? The Authority Of Interpretive Communities. Cambridge, MA: Harvard University Press
        • Fiske, John (1982): Introduction to Communication Studies. London: Routledge (Chapter 3, 'Communication, Meaning and Signs'; Chapter 4, 'Codes'; Chapter 5, 'Signification'; Chapter 6, 'Semiotic Methods and Applications'); Chapter 8, 'Ideology and Meanings')
        • Fiske, John (1987): Television Culture. London: Routledge
        • Fiske, John (1989a): 'Codes'. In International Encyclopedia of Communications, Vol. 1. New York: Oxford University Press, pp. 312-6
        • Fiske, John (1989b): 'Moments of television: neither the text nor the audience'. In Ellen Seiter, Hans Borchers, Gabriel Kreutzner & Eva-Maria Warth (Eds.): Remote Control: Television, Audiences and Cultural Power. London: Routledge
        • Fiske, John (1992): 'British Cultural Studies and Television'. In Allen (Ed.), op. cit., pp. 284-326; also in Storey (Ed.) (1996), op. cit., pp. 115-146
        • Fiske, John & John Hartley (1978): Reading Television. London: Methuen
        • Fleming, Dan (1996): Powerplay: Toys as Popular Culture. Manchester: Manchester University Press
        • Franklin, Sarah, Celia Lury & Jackie Stacey (1996): 'Feminism and Cultural Studies: Pasts, Presents, Futures'. In John Storey (Ed.) op. cit., pp. 255-72
        • Gardiner, Michael (1992): The Dialogics of Critique: M M Bakhtin and the Theory of Ideology. London: Routledge
        • Glasgow University Media Group (1980): More Bad News. London: Routledge & Kegan Paul
        • Goldman, Robert & Stephen Papson (1994): 'Advertising in the Age of Hypersignification', Theory, Culture & Society 11 (August), 23-54
        • Goldsmith, Evelyn (1984): Research into Illustrations: An Approach and a Review. Cambridge: Cambridge University Press
        • Gombrich, Ernst H (1974): 'The Visual Image'. In David R Olson (Ed.): Media and Symbols: The Forms of Expression, Communication and Education. Chicago, IL: University of Chicago Press, pp. 255-8; first published in Scientific American 227 (September 1971): 82-96
        • Gombrich, Ernst H (1977): Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
        • Goodman, Nelson (1968): Languages of Art: An Approach to a Theory of Symbols. London: Oxford University Press
        • Greenberg, J H (1966): Language Universals. The Hague: Mouton
        • Greimas, Algirdas (1987): On Meaning: Selected Writings in Semiotic Theory (trans. Paul J Perron & Frank H Collins). London: Frances Pinter
        • Guiraud, Pierre (1975): Semiology (trans. George Gross). London: Routledge & Kegan Paul
        • Gumpert, Gary & Robert Cathcart (1985): 'Media Grammars, Generations and Media Gaps', Critical Studies in Mass Communication 2: 23-35
        • Gurevitch, Michael Tony Bennett, James Curran & Janet Woollacott (Eds.) (1982): Culture, Society and the Media. London: Routledge
        • Hall, Edward (1966): The Hidden Dimension. New York: Doubleday
        • Hall, Stuart (1977): 'Culture, the Media and the "Ideological Effect'. In James Curran, Michael Gurevitch & Janet Woollacott (Eds.): Mass Communication and Society. London: Edward Arnold
        • Hall, Stuart ([1973] 1980): 'Encoding/decoding'. In Centre for Contemporary Cultural Studies (Ed.): Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 London: Hutchinson, p. 128-38
        • Hall, Stuart (1982): 'The rediscovery of "ideology": return of the repressed in media studies'. In Gurevitch et al. (Eds.), op. cit.
        • Hall, Stuart (1996): 'Cultural Studies: Two Paradigms'. In John Storey (Ed.) op. cit., pp. 31-48
        • Hartley, John (1982): Understanding News. London: Methuen
        • Hawkes, Terence (1977): Structuralism and Semiotics. London: Routledge
        • Hayward, Susan (1996): Key Concepts in Cinema Studies. London: Routledge
        • Heath, Stephen (1981): 'Metz's Semiology: A Short Glossary'. In SEFT (Ed.), op. cit., pp. 125-137
        • Hjelmslev, Louis (1961): Prolegomena to a Theory of Language. Madison: University of Wisconsin Press
        • Hodge, Robert & Gunther Kress (1988): Social Semiotics. Cambridge: Polity
        • Hodge, Robert & David Tripp (1986): Children and Television: A Semiotic Approach. Cambridge: Polity Press
        • Innis, Robert E (Ed.) (1986): Semiotics: An Introductory Reader. London: Hutchinson
        • Jakobson, Roman (1960): 'Closing Statement: Linguistics and Poetics'. In Sebeok (Ed.), op.cit., pp. 350-77
        • Jakobson, Roman (1971): 'Language in Relation to Other Communication Systems'. In Roman Jakobson (Ed.): Selected Writings, Vol. 2. Mouton: The Hague, pp. 570-79
        • Jensen, Klaus Bruhn (1995): The Social Semiotics of Mass Communication. London: Sage
        • Johnson, Richard (1996): 'What is Cultural Studies Anyway?'. In John Storey (Ed.) op. cit., pp. 75-114
        • Kozloff, Sarah (1992): 'Narrative theory and television'. In Allen (Ed.), op. cit.
        • Kress, Gunther (1976): 'Structuralism and Popular Culture'. In C W E Bigley (Ed.): Approaches to Popular Culture. London: Edward Arnold, pp. 85-106
        • Kress, Gunther & Theo van Leeuwen (1996): Reading Images: The Grammar of Visual Design. London: Routledge
        • Lacan, Jacques (1977): Ιcrits. London: Tavistock
        • Langholz Leymore, Varda (1975): Hidden Myth: Structure and Symbolism in Advertising. New York: Basic Books
        • Lapsley, Robert & Michael Westlake (1988): Film Theory: An Introduction. Manchester: Manchester University Press (Chapter 2, 'Semiotics')
        • Leiss, William, Stephen Kline & Sut Jhally (1990): Social Communication in Advertising: Persons, Products and Images of Well-Being (2nd Edn.). London: Routledge
        • Lemon, Lee T & Marion J Reis (1965): Russian Formalist Criticism. Lincoln, NE: University of Nebraska Press
        • Lévi-Strauss, Claude (1974): The Savage Mind. London: Weidenfeld & Nicolson
        • Lewis, Justin (1991): The Ideological Octopus: An Exploration of Television and its Audience. New York: Routledge (Chapter 2, 'Rethinking Television')
        • Manktelow, K I & D E Over (1990): Inference and Understanding: A Philosophical and Psychological Perspective. London: Routledge
        • Masterman, Len (1985): Teaching the Media. London: Routledge/Comedia (Chapter 5, 'Rhetoric', section 9, 'Narrative')
        • McKim, Robert H (1972): Experiences in Visual Thinking. Monterey, CA: Brooks/Cole
        • McQuarrie, Edward F & David Glen Mick (1992): 'On Resonance: A Critical Pluralistic Inquiry into Advertising Rhetoric', Journal of Consumer Research 19: 180-97
        • McQuarrie, Edward F & David Glen Mick (forthcoming): 'Visual Rhetoric in Advertising: Text-Interpretative, Experimental and Reader-Response Analyses', Journal of Consumer Research
        • Messaris, Paul (1982): 'To What Extent Does One Have to Learn to Interpret Movies?' In Sari Thomas (Ed.): Film/Culture. Metuchen, NJ: Scarecrow Press, pp. 168-83
        • Messaris, Paul (1994): Visual 'Literacy': Image, Mind and Reality. Boulder, CO: Westview Press
        • Metz, Christian (1974): Film Language: A Semiotics of the Cinema (trans. Michael Taylor). New York: Oxford University Press
        • Metz, Christian (1981): 'Methodological Propositions for the Analysis of Film'. In SEFT (Ed.), op. cit., pp. 86-98
        • Mick, David Glen (1986): 'Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols and Significance', Journal of Consumer Research 13(2): 196-213
        • Mick, David Glen (1988): 'Schema-theoretics and Semiotics: Toward More Holistic, Programmatic Research on Marketing Communication', Semiotica 70(1/2): 1-26
        • Mick, David Glen (1991): 'Giving Gifts to Ourselves': A Greimassian Analysis Leading to Testable Propositions'. In Hanne Hartvig Larsen, David Glen Mick & Christian Alsted (Eds.): Marketing and Semiotics: Selected Papers from the Copenhagen Symposium. Copenhagen: Handelshψjskolens Forlag, pp. 142-59
        • Mick, David Glen & Claus Buhl (1992): 'A Meaning-based Model of Advertising Experiences', Journal of Consumer Research 19: 317-38
        • Mick, David Glen & Laura G Politi (1989): 'Consumers' Interpretations of Advertising Imagery: A Visit to the Hell of Connotation'. In Elizabeth C Hirschman (Ed.): Interpretive Consumer Research. Provo, UT: Association for Consumer Research, pp. 85-96
        • Millum, Trevor (1975): Images of Woman: Advertising in Women's Magazines. London: Chatto & Windus
        • Monaco, James (1981): How to Read a Film. New York: Oxford University Press (Part III, 'The Language of Film: Signs and Syntax')
        • Moores, Shaun (1993): Interpreting Audiences: The Ethnography of Media Consumption. London: Sage
        • Morley, David (1980): The 'Nationwide' Audience: Structure and Decoding. London: BFI
        • Morley, David (1981a): '"The Nationwide Audience" - A Critical Postscript', Screen Education 39: 3-14
        • Morley, David (1981b): Interpreting Television. In Popular Culture and Everyday Life (Block 3 of U203 Popular Culture). Milton Keynes: Open University Press, pp. 40-68
        • Morley, David (1983): 'Cultural Transformations: The Politics of Resistance'. In Davis & Walton (Eds.), op. cit., pp. 104-17
        • Morley, David (1992): Television, Audiences and Cultural Studies. London: Routledge (Chapters 3 & 4)
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        • Myers, Kathy (1983): 'Understanding Advertisers'. In Davis & Walton (Eds.), op. cit., pp. 205-223
        • Neale, Stephen (1980): Genre. London: BFI
        • Nichols, Bill (1981): Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana University Press
        • Nightingale, Virginia (1996): Studying Audiences: The Shock of the Real. London: Routledge (Chapter 2, 'Encoding/Decoding', pp. 21-39, is a useful review of Stuart Hall's influential model of 'the circuit of communication')
        • Noth, Winfried (1990): Handbook of Semiotics. Bloomington: Indiana University Press
        • O'Sullivan, Tim, John Hartley, Danny Saunders, Martin Montgomery & John Fiske (1994): Key Concepts in Communication and Cultural Studies. London: Routledge
        • Parkin, Frank (1972): Class Inequality and Political Order. London: Granada
        • Piaget, Jean (1929): The Child's Conception of the World. New York: Humanities Press
        • Real, Michael R (1996): Exploring Media Culture: A Guide. Thousand Oaks, CA: Sage
        • Salt, Barry (1983): Film Style and Technology: History and Analysis. London: Starword
        • Saussure, Ferdinand de ([1915] 1974): Course in General Linguistics. London: Fontana/Collins
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        • Scott, Linda M (1994a): 'Images in Advertising: The Need for a Theory of Visual Rhetoric', Journal of Consumer Research 21: 252-73
        • Scott, Linda M (1994b): 'The Bridge from Text to Mind: Adapting Reader Response Theory to Consumer Research', Journal of Consumer Research 21: 461-80
        • Sebeok, Thomas A (Ed.) (1960): Style in Language. Cambridge, MA: MIT Press
        • Sebeok, Thomas A (Ed.) (1977): A Perfusion of Signs. Bloomington: Indiana University Press
        • Sebeok, Thomas A (1994): An Introduction to Semiotics. London: Pinter
        • Seiter, Ellen (1992): 'Semiotics, structuralism and television'. In Allen (Ed.), op. cit.
        • Shannon, Claude E & Warren Weaver (1949): A Mathematical Model of Communication. Urbana, IL: University of Illinois Press
        • Silverman. Kaja (1983): The Subject of Semiotics. New York: Oxford University Press
        • Slater, Don (1983): 'Marketing Mass Photography'. In Davis & Walton (Eds.), op. cit., pp. 245-263
        • Sless, David (1986): In Search of Semiotics. London: Croom Helm
        • Solomon, Jack (1988): The Signs of Our Time: The Secret Meanings of Everyday Life. New York: Harper & Row
        • Stam, Robert, Robert Burgoyne & Sandy Flitterman-Lewis (1992): New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. London: Routledge
        • Storey, John (Ed.) (1996): What is Cultural Studies? London: Arnold
        • Strinati, Dominic (1995): An Introduction to Theories of Popular Culture. London: Routledge
        • Sturrock, John (1986): Structuralism. London: Paladin
        • Tagg, John (1988): The Burden of Representation: Essays on Photographies and Histories. Basingstoke: Macmillan
        • Thayer, Lee (1982): 'Human Nature: Of Communication, of Structuralism, of Semiotics', Semiotica 41(1/4): 25-40
        • Thwaites, Tony, Lloyd Davis & Warwick Mules (1994): Tools for Cultural Studies: An Introduction. South Melbourne: Macmillan (very readable Australian application of semiotic principles)
        • Tilley, Adrian (1991): 'Narrative'. In David Lusted (Ed.): The Media Studies Book. London: Routledge
        • Tolson, Andrew (1996): Mediations: Text and Discourse in Media Studies. London: Arnold
        • Tudor, Andrew (1974): Image and Influence: Studies in the Sociology of Film. London: George Allen & Unwin
        • Turner, Graeme (1992): British Cultural Studies: An Introduction. New York: Routledge
        • Ullmann, Stephen (1972): Semantics: An Introduction to the Science of Meaning. Oxford: Basil Blackwell
        • Umiker-Sebeok, Jean (Ed.) (1987): Marketing and Semiotics. Amsterdam: Mouton de Gruyter
        • Watney, Simon (1982): 'Making Strange: The Shattered Mirror'. In Burgin (Ed.), op. cit., pp. 154-76
        • Wells, Rulon S (1977): 'Criteria for Semiosis'. In Sebeok (Ed.), op. cit., pp. 1-21
        • Willemen, Paul (1994): Looks and Frictions: Essays in Cultural Studies and Film Theory. London: BFI/Bloomington: Indiana University Press
        • Williamson, Judith (1978): Decoding Advertisements. London: Marion Boyars
        • Wollen, Peter (1969): Signs and Meaning in the Cinema. London: Secker & Warburg/BFI
        • Woodward, Kathryn (Ed.) (1997): Identity and Difference. London: Sage/Open University
        • Woollacott, Janet (1982): 'Messages and Meanings'. In Gurevitch et al. (Eds.), op. cit.
        • Wren-Lewis, Justin (1983): 'The Encoding/Decoding Model: Criticisms and Redevelopments for Research on Decoding', Media Culture & Society 5(2): 179-97
        • Young, Brian M (1990): Television Advertising and Children. Oxford: Clarendon Press
        • Zeman, J Jay (1977): 'Peirce's Theory of Signs'. In Sebeok (Ed.), op. cit., pp. 22-39

        See also general reference works on communication, media, language, literary theory, social science and the history of ideas.

        Daniel Chandler
        UWA 1994

        The preferred form of citation for the online version of this paper is as follows:

        • Chandler, Daniel (1994): Semiotics for Beginners [WWW document] URL http://www.aber.ac.uk/~dgc/semiotic.html [Date of Visit]

         

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